{"id":4941,"date":"2015-03-03T23:21:23","date_gmt":"2015-03-03T23:21:23","guid":{"rendered":"http:\/\/www.danceanywhere.org\/news\/?p=4941"},"modified":"2015-03-03T23:21:23","modified_gmt":"2015-03-03T23:21:23","slug":"nancy-karp-dancers","status":"publish","type":"post","link":"https:\/\/www.danceanywhere.org\/news\/2015\/nancy-karp-dancers\/","title":{"rendered":"Nancy Karp + Dancers"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div id=\"attachment_4943\" style=\"width: 343px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.danceanywhere.org\/news\/wp-content\/uploads\/2015\/03\/unnamed.jpg\"><img aria-describedby=\"caption-attachment-4943\" loading=\"lazy\" class=\"size-large wp-image-4943\" alt=\"Nancy Karp + Dancers\" src=\"http:\/\/www.danceanywhere.org\/news\/wp-content\/uploads\/2015\/03\/unnamed-333x500.jpg\" width=\"333\" height=\"500\" srcset=\"https:\/\/www.danceanywhere.org\/news\/wp-content\/uploads\/2015\/03\/unnamed-333x500.jpg 333w, https:\/\/www.danceanywhere.org\/news\/wp-content\/uploads\/2015\/03\/unnamed-199x300.jpg 199w, https:\/\/www.danceanywhere.org\/news\/wp-content\/uploads\/2015\/03\/unnamed-79x120.jpg 79w, https:\/\/www.danceanywhere.org\/news\/wp-content\/uploads\/2015\/03\/unnamed-570x855.jpg 570w, https:\/\/www.danceanywhere.org\/news\/wp-content\/uploads\/2015\/03\/unnamed-480x720.jpg 480w, https:\/\/www.danceanywhere.org\/news\/wp-content\/uploads\/2015\/03\/unnamed.jpg 788w\" sizes=\"(max-width: 333px) 100vw, 333px\" \/><\/a><p id=\"caption-attachment-4943\" class=\"wp-caption-text\">Nancy Karp + Dancers<\/p><\/div>\n<p><span style=\"line-height: 1.5em;\">Since forming Nancy Karp + Dancers in 1980, director Nancy Karp has choreographed more than 70 outstanding works for her company. She and company members have performed together in many distinguished venues, at home and abroad. These include The Washington Project for the Arts in Washington D.C., The Kitchen in New York, The Walker Art Center in Minneapolis, the Broadway Performance Hall in Seattle, the Fur Augen und Ohren and Sprachen der Kunste Festivals at the Akademie der Kunste in Berlin, Kyoto College of Art in Japan, and the Zagreb Experimental Theater Festival.<\/span><\/p>\n<p>Interdisciplinary collaboration is one of the company\u2019s key focuses, and since its inception Ms. Karp has commissioned numerous composers, visual artists, and designers to work with her in the creation of new dances each season. Among these accomplished associates are Charles Amirkhanian, Alvin Curran, Paul Dresher, Ingram Marshall, Sandra Woodall, Carol Law, Bill Fontana, Lutz Bacher, and Wolfram Erber.<\/p>\n<p>&#8220;I use abstraction to celebrate everyday life. Whether in an intimate solo, such as\u00a0Sweet Bargain, which was inspired by fishmongers at Tokyo&#8217;s Tkuiji Fish Market, or in group works, such as\u00a0Prima Materia, First Light\u00a0and\u00a0Arashi\/Storm, I take life\u2019s ordinary movements, strip them down to their essential components, and then combine them, recombine them, and elaborate on them. What emerges, from these &#8220;structural investigations,&#8221; are vocabularies of movement. My dances evolve, like language evolves, as those vocabularies are used and explored. The beauty and possibility hidden within simple actions and gestures is endlessly fascinating to me.&#8221;<\/p>\n<p>&#8211;Nancy Karp<\/p>\n<p>For more information on Nancy Karp and dancers please see their\u00a0<a href=\"http:\/\/www.nancykarp.org\/#!about\/cjg9\">website<\/a><\/p>\n<p><span style=\"line-height: 1.5em;\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Since forming Nancy Karp + Dancers in 1980, director Nancy Karp has choreographed more than 70 outstanding works for her company. She and company members have performed together in many distinguished venues, at home and abroad. These include The Washington Project for the Arts in Washington D.C., The Kitchen in New York, The Walker [&hellip;]<\/p>\n","protected":false},"author":46,"featured_media":4943,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[583],"tags":[840,875],"_links":{"self":[{"href":"https:\/\/www.danceanywhere.org\/news\/wp-json\/wp\/v2\/posts\/4941"}],"collection":[{"href":"https:\/\/www.danceanywhere.org\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.danceanywhere.org\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.danceanywhere.org\/news\/wp-json\/wp\/v2\/users\/46"}],"replies":[{"embeddable":true,"href":"https:\/\/www.danceanywhere.org\/news\/wp-json\/wp\/v2\/comments?post=4941"}],"version-history":[{"count":3,"href":"https:\/\/www.danceanywhere.org\/news\/wp-json\/wp\/v2\/posts\/4941\/revisions"}],"predecessor-version":[{"id":4946,"href":"https:\/\/www.danceanywhere.org\/news\/wp-json\/wp\/v2\/posts\/4941\/revisions\/4946"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.danceanywhere.org\/news\/wp-json\/wp\/v2\/media\/4943"}],"wp:attachment":[{"href":"https:\/\/www.danceanywhere.org\/news\/wp-json\/wp\/v2\/media?parent=4941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.danceanywhere.org\/news\/wp-json\/wp\/v2\/categories?post=4941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.danceanywhere.org\/news\/wp-json\/wp\/v2\/tags?post=4941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}